Posts Tagged ‘Processing Power’
Which Camera Should We Shoot On?
Friday, March 23rd, 2012
You should never pick your DP based on what camera he or she owns or has access to or can get discounts on. The decision on which DP to hire should be based on his or her talent (not just the reel but entire films – several of them), reputation, relationships, referrals, shared vision for [...]
Tags: 2K, 35mm, 48 fps, 5D mkII, Arri Alexa, ASC, camera, Canon 1D Mark IV, Canon 5D Mark II, Canon 7D, CineStyle, Clairmont Camera, color quality, compression, compression losses, Director, documentary, DP, drum test, Dynamic Range test, equipment, exposure latitude, film, flesh tone reproduction, General Lift, global shutter, highlight detail, human eyesight, It’s Not So Black & White, Kodak 5213, Kodak 5219, large scale technical camera, lens, low light sensitivity, Matt Seigel, Michael Bravin, Mike Curtis, Motion Artifacts, Nancy Schreiber, Nikon D7000, off-board recording, on-board, Panasonic AG-AF100, Phantom Flex, Price Point, Processing Power, Producer, Red Epic, RED ONE M-X, resolution, Robert Primes, Rolling Shutter, S Log, sensor, Sensor Design, Sensors & Sensitivity, SFR, shadow detail, sharpness, shutter artifacts, Siemen star chart, Signal-to-Noise Ratio, skew, Sony F-35, Sony F3, Spatial Frequency Response, Stephen Lighthill, sub-sampling, The Great Camera Shootout 2011, The Over Exposure Test, The Tipping Point, three episodes, Under Exposure Test, usable latitude, Weisscam HS-2, Wringer chart
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